A funeral director dancing with an IT manager or a window cleaner dancing with a beautician. Where else but a dance class such as Ceroc could you find such a diverse group of people? But over and above the outside lives of the dancers, there are so many different types of dance personality to be found on the dance floor. I aim to describe some of them here.
Dancing to the beat of a different tune
Let’s begin with, in my opinion, the worst dancer. This is the one who cannot hear the rhythm of a track, the dancer who appears to be dancing to the beat of the previous track rather than the one everyone else is listening to. For the lead dancer, being able to track the beat is a must. Each set of moves begins with a step back, on the beat, and the follower is drawn in, on the next beat. Yes, the arms and body play a large part in both the lead and follow roles, but if the feet are moving out of time, it is difficult for the follower to keep up with where the lead wants them to move. Without a good connection to the music, the dance can look clunky, at best. More advanced dancers play with the music, pausing and breaking between moves, but its all done with musicality.
Close, but not too close
Some dancers just want to be up close and personal, whatever tune is playing at the time. They seem to have a somewhat smaller dance space than most and, of course, there is nothing wrong with dancing close. Most blues and smooth dancing dictates the need for closeness but some, especially inexperienced dancers, are not comfortable with the lack of space and, hopefully, a more experienced dancer would be able to spot and react to their discomfort. If the more experienced dancer does not react accordingly, the dance becomes uncomfortable and bordering on sleazy.
Trying to pull my shoulder out of its socket?
Then there is the lead who repeatedly yanks on the follower’s arms until the follower is quite sore. The only way to avoid injury when dancing with a heavy puller, apart from walking away from the floor mid-dance, is to loosen your arms and give no resistance to the pull. At least that way you will not suffer any injury even if the dance does not flow as well as it could. Trying to look good on the dance floor is certainly not worth an injury, however minor.
Sing your heart out!
Some dancers just cannot resist singing along as they dance. I have to admit, most photos taken of me on the dance floor, show me with mouth wide open singing my heart out. Sometimes, I just can’t stop myself. I know it doesn’t look cool but I love singing. Singing along can be fun if both dancers are enjoying it but some dancers don’t want my incessant warbling in their ear.
Its difficult enough to have a conversation with friends on a dance night. You will be in mid-flow and just reaching the punchline when someone comes along and whisks you off to the dance floor. Its hard to say no when they have plucked up the courage to come over and ask you to dance. Others like to have a full catch up during the dance. While its fine to mention you haven’t seen them at dancing for a few weeks or ask how they are, it is immensely difficult to respond to a full-blown conversation when you are being spun around and away from the person, in and out of earshot. I often nod and smile as I am dancing but have no clue what I am responding to.
The hop and skipper!
There are dancers who get hugely over-excited at the prospect of a particular tune, or dancing with a certain person that they simply cannot contain themselves. They positively leap onto the dance floor, their little feet kicking out at every opportunity, with no care for what they look like but, more worryingly, little care for those around them. They bounce through their dance with excitement and vigour.
Unaware of all around!
Some dancers have no spacial awareness at all and can often be seen crashing into others on the dance floor. Of course, everyone has the odd bump from time to time, but a good lead will keep their eyes on what is going on around them and avoid mishaps with a change in lead or movement. There are some dancers who think nothing of leading a partner around the floor with no awareness whatsoever of those around them. I try to avoid such dancers as they are a danger to me and others.
The conveyor belt dancer
Often, more experienced dancers have no bounce at all and if you watched them from the waist up you would be forgiven for thinking they are dancing on a smooth belt moving from side to side with ease and grace. These dancers are wonderful to watch, have no bounce and every move is made to look effortless.
We all know one of these. A dancer who holds onto their partner at the end of the dance, giving them no means of escape. I have seen one such lead, a man, who often likes to dance with the beginners, and he holds onto the new dancer through up to four or five dances. Its so uncomfortable to watch and unfair on the beginner who needs to dance with as many different partners as they can, in turn gaining much needed experience.
Guilty as charged, but only with a select few, including my husband. We love to dance on the slot and a lot of the more experienced dancers do this with style. Its a fabulous style of dancing where the follower dances backwards and forwards but in a line, while the lead dances around them and steps out of the way to keep the dance on the slot. I find that slotters often stick to the edges of the dance floor to keep them in their slot and away from other dancers’ space.
Yep! Guilty again. I love to travel with my moves and the lead often has to move to keep up with me. Travelling moves work especially well when dancing on the slot (see above) and a large floor area can be covered so spacial awareness is particularly required.
The Floor Crosser
Some dancers travel so far around the floor it is difficult to keep out of their way. They remain in one spot for a couple of moves and all of a sudden they are moving and can be found halfway across the room. It makes it especially difficult for other dancers when the dance floor is crowded as most couples pick a spot and loosely stick within it, thus avoiding collision, but the floor crossers pay no heed to the dance space of others and dance wherever the mood takes them.
Deaf to Instructions
One dangerous type of dancer is the more experienced dancer who takes to the floor with a beginner and, despite numerous please from the dance teachers to be aware of their beginner status (in our area they were fluorescent wrist bands) and only do beginner moves with them. Those who feel they are far more capable than the dance teacher like to drop new dancers into leans and dips and moves far more advanced than necessary, risking injury to a dancer who has no idea what is coming. they like to try and prove that they are top dog (often they are far from) and show off, which is definitely not what Ceroc is all about.
For the most part, these categories are simply observations I have made over the past ten years of dancing with Ceroc. There are so many dance personalities and styles that I have barely scratched the surface but these loosely cover a lot of styles. One thing is for certain, the dancers with bad reputations are few and far between. Most experienced dancers adhere to the rules and dance safely and with awareness of those around them. its certainly the place to meet people from all walks of life.